Why you should experience Martinique New York on Broadway, Curio Collection in New York, NY.
Martinique New York on Broadway, Curio Collection is an exuberant hotel where Koreatown's metropolitan energy, Broadway commerce, Beaux-Arts craftsmanship and immigrant-era New York history converge within one of Herald Square's most elaborate surviving hotels.
Set along Broadway near West 32nd Street and just steps from Herald Square, the hotel was designed by architect Henry J. Hardenbergh, whose portfolio includes Waldorf-Astoria and Plaza Hotel, as an ambitious composition of glazed brick, limestone, terra cotta, balconies and a mansard roof assembled through successive expansions for developer William R. H. Martin. Hardenbergh gave the interiors an equally theatrical character through marble staircases, mosaic floors and richly modeled public rooms, creating a hospitality complex whose architecture reflected the commercial confidence transforming Broadway around the turn of the twentieth century. The property's later history absorbed another layer of New York character through its association with immigrant welfare and resettlement, connecting a grand hotel conceived for prosperous travelers with the social upheavals that reshaped Manhattan after World War II. The result is a hotel where Hardenbergh's architecture, Martin's development ambitions and generations of changing occupants give Koreatown a hospitality address embedded in New York's evolution from Gilded Age metropolis to global immigrant city.
What you should know about Martinique New York on Broadway.
Martinique New York on Broadway, Curio Collection is best known for developing in three stages beginning in 1897 under developer William R. H. Martin and architect Henry J. Hardenbergh, whose successive additions eventually produced a 16-story, 600-room hotel occupying the Broadway blockfront between West 32nd and West 33rd streets. Martin, a principal of Rogers, Peet & Company, commissioned Hardenbergh after developing commercial properties around Herald Square, while the architect brought experience from Dakota Apartments and Waldorf Hotel to a French Renaissance-inspired composition incorporating glazed brick, limestone, terra cotta, ornamental balconies and a mansard roof. The completed complex incorporated two principal dining rooms, a palm court, Broadway café, barber shop and richly finished circulation spaces, while its location beside the former Pennsylvania Railroad terminal and later Penn Station placed the property within Manhattan's expanding long-distance travel economy. New York City Landmarks Preservation Commission designated the exterior in 1998, and Hilton later incorporated the property into Curio Collection following an extensive renovation that restored architectural elements while modernizing the accommodation program. William R. H. Martin's development, Hardenbergh's three-stage architectural campaign, 600-room scale, transportation-era location and later preservation establish the hotel as an unusually intact expression of Manhattan hospitality at the turn of the twentieth century.
International Rescue Committee became inseparable from another chapter of the building when the organization used Hotel Martinique to accommodate displaced people arriving in New York after World War II, connecting the former luxury property with refugee resettlement during a period of immense international migration. The building subsequently became associated with Martinique Welfare Hotel during New York's homelessness crisis, when hundreds of families were housed there under municipal arrangements that made the property a nationally scrutinized symbol of emergency shelter policy. Jonathan Tisch and Loews Corporation later entered the property's ownership history before developer Harold Thurman undertook restoration work that returned the building to hotel use and revived Hardenbergh's surviving architectural fabric. Together, International Rescue Committee, Martinique Welfare Hotel, Jonathan Tisch and Harold Thurman reveal a building whose character has repeatedly shifted with New York itself, moving through luxury hospitality, refugee reception, emergency housing and architectural restoration while retaining Hardenbergh's original presence on Broadway.
How to fold Martinique New York on Broadway into your trip.
Martinique New York on Broadway, Curio Collection works as the anchor for an afternoon tracing department-store ambition, Korean-American culture and grand civic architecture through the streets surrounding Herald Square.
Begin at Macy's Herald Square, where Rowland Hussey Macy's retail enterprise eventually consolidated within a Broadway complex developed through successive expansions and associated with architectural firms including De Lemos & Cordes, creating a department store whose immense scale helped establish Herald Square as one of Manhattan's principal commercial crossroads. Continue to Korea Society, founded by James A. Van Fleet to strengthen relations between the United States and Korea and subsequently developed into a New York institution presenting Korean culture, policy, education and artistic programming within the neighborhood that became Manhattan's most concentrated expression of Korean-American commercial life. Conclude at New York Public Library, where Carrère and Hastings designed the grand 5th Avenue building around the collections of the Astor, Lenox and Tilden foundations, culminating in a marble Beaux-Arts composition whose Rose Main Reading Room extends nearly the length of a football field. The progression moves from the retail machinery of Herald Square through the Korean-American institutions surrounding West 32nd Street into Carrère and Hastings's architecture of scholarship, revealing the commercial, immigrant and cultural forces surrounding Martinique New York on Broadway, Curio Collection.
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