Why you should experience Hôtel Regent's Garden Astotel in Paris, France.
Hôtel Regent's Garden Astotel is a secluded historic hotel where Ternes's Haussmannian character, Second Empire heritage, Japanese landscape design and the intimate scale of a former private mansion converge behind an elegant Rue Pierre Demours façade.
Set along Rue Pierre Demours between Avenue des Ternes and Boulevard Pereire, the four-star property occupies a nineteenth-century residence whose origins connect directly to the imperial world of Napoleon III. The building retains shuttered windows, pronounced cornices and other period details while contemporary interiors introduce patterned textiles, glass lighting and more modern furnishings. Behind the house, a substantial private garden creates an unexpected spatial counterpoint to the dense surrounding streets, reinforcing the sense that the property developed from a residence. The result is an unusually layered Ternes address where imperial history, surviving domestic architecture and landscape design remain legible within a functioning contemporary hotel.
What you should know about Hôtel Regent's Garden Astotel.
Hôtel Regent's Garden Astotel is best known for occupying a nineteenth-century private mansion given by Emperor Napoleon III to his personal physician Henri Conneau in recognition of his service and loyalty, before the residence entered hospitality use as a hotel in 1937 and subsequently operated under Best Western during the 1980s. The building's shuttered and corniced street façade has survived successive transformations with relatively little external alteration, while interior renovations preserved period features including marble fireplaces alongside moldings and other references to its Second Empire origins. The property now contains 40 rooms within the former mansion, with Astotel documenting authentic moldings, designer fabrics and noble materials throughout the contemporary interior program. Landscape architect Xavier de Chirac created the property's 400-square-meter Japanese-inspired garden, organizing the enclosed rear space through planted groves and intensely fragrant flowers as a professionally authored landscape. The Napoleon III and Henri Conneau provenance, conversion to hospitality in 1937, Best Western chapter, surviving nineteenth-century fabric and Xavier de Chirac commission establish Regent's Garden as a hotel whose current character developed through multiple historical layers.
Napoleonic medallions extend the building's Second Empire narrative into the decorative program, joining original-style cornices and surviving marble fireplaces as physical references to the nineteenth-century residence from which Regent's Garden evolved. Astotel subsequently incorporated the property into a Paris collection now encompassing 16 hotels, connecting the former Henri Conneau residence with a larger independent hospitality network while retaining its individual historical identity. Tripadvisor awarded Hôtel Regent's Garden Astotel its 2026 Travelers' Choice distinction and ranked the property among the highest-rated Paris hotels on its platform, adding contemporary recognition to a building whose hospitality history began in 1937. Together, Napoleon III, Henri Conneau, Astotel and Tripadvisor trace the property's evolution from imperial-era private residence through twentieth-century hotel conversion into a recognized contemporary member of a 16-property Paris collection.
How to fold Hôtel Regent's Garden Astotel into your trip.
Hôtel Regent's Garden Astotel works as the anchor for an afternoon tracing private collecting, nineteenth-century architecture and decorative arts through western Paris.
Begin at Musée Nissim de Camondo, where Moïse de Camondo commissioned architect René Sergent to create an early twentieth-century mansion modeled on eighteenth-century French architecture for his exceptional decorative arts collection. Continue to Musée Cernuschi, where banker and traveler Henri Cernuschi's collection of Asian art occupies the mansion he commissioned from architect William Bouwens van der Boijen after returning from an extensive journey through Asia. Conclude at Musée Jacquemart-André, where Édouard André and Nélie Jacquemart assembled paintings, sculpture, furniture and decorative arts inside the grand residence designed by Henri Parent before leaving the house and collection to the Institut de France. The progression moves from Camondo and Sergent's reinterpretation of eighteenth-century France through Cernuschi's Asian collecting into André and Jacquemart's purpose-built artistic residence, creating a sequence of private houses and personal collections that echoes Regent's Garden's own transformation from domestic architecture into hospitality.
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