Hôtel Les Matins de Paris & Spa Paris 9e

Why you should experience Hôtel Les Matins de Paris & Spa Paris 9e in Paris, France.

Hôtel Les Matins de Paris & Spa Paris 9e is a spirited four-star hotel where Saint-Georges's artistic bohemia, musical memory, Nouvelle Athènes inheritance and enduring culture of creative sociability converge within an intimate South Pigalle address shaped by architect Vincent Bastie.

Set along Rue Clauzel near Rue des Martyrs and just steps from Musée Gustave Moreau, the 33-room hotel opened in 2015 within an address carrying an unusually vivid connection to postwar Parisian music through Leroy Haynes, the American restaurateur whose Chez Haynes occupied the site after his return to Paris in the 1960s. Haynes had established his first Paris restaurant with Gabrielle Lecarbonnier in 1949 before creating the Rue Clauzel address, where American cooking and his transatlantic social circle drew musicians and performers including Ray Charles and Marianne Faithfull into a neighborhood already steeped in artistic history. Bastie translated the contemporary hotel through six floors of saturated textiles, taupe walls, sculptural headboards and photography referencing the surrounding quarter, while terraces and balconies preserve outward connections to the rooftops and streets of South Pigalle. The result is a hotel where Vincent Bastie's contemporary architecture and Leroy Haynes's musical legacy give Saint-Georges's long culture of artists, performers and independent personalities a hospitality character rooted in the history of its own address.

What you should know about Hôtel Les Matins de Paris & Spa Paris 9e.

Hôtel Les Matins de Paris & Spa Paris 9e is best known for opening on August 15, 2015 as a 33-room hotel designed by architect Vincent Bastie at 3 Rue Clauzel, an address whose cultural history reaches directly into the African American expatriate community and international music scene of postwar Paris. American Leroy Haynes had arrived in France after serving in the United States Army during World War II and, with Gabrielle Lecarbonnier, established a restaurant in Paris in 1949 before later returning to the 9th Arrondissement and opening Chez Haynes at 3 Rue Clauzel after several years in Germany. Haynes became a distinctive figure within expatriate Paris through American cooking and hospitality, while the Rue Clauzel restaurant attracted a creative clientele that the contemporary hotel identifies with figures including Ray Charles and Marianne Faithfull, embedding musical memory into the same building decades before Les Matins de Paris opened. The address also belonged to a street with a deeper artistic association through Julien François Tanguy, known as Père Tanguy, whose paint shop operated across the street at 14 Rue Clauzel from 1873 to 1892 and became entwined with the careers of painters including Vincent van Gogh, Paul Cézanne and other artists working around Montmartre. Vincent Bastie's 2015 hotel occupies a site where Haynes's postwar transatlantic culture sits within an older Rue Clauzel history of artists, dealers and creative exchange, giving its South Pigalle character unusually specific roots in the address itself.

Vincent Bastie developed the contemporary property across six floors, organizing its 33 rooms around the light, color and artistic temperament of South Pigalle while retaining the intimate proportions of a small independent hotel. Photographer Christophe Bielsa contributes the property's contemporary visual record and Nathalie Julio its styling, extending the authored presentation beyond Bastie's architecture while the hotel explicitly preserves the memory of Leroy Haynes within its own account of the building. Olivier Lecocq Paris adds another identifiable French creative practice through a treatment program built around the company's natural and organically sourced formulations, while the hotel has subsequently received the European Union Ecolabel under the EU's independently administered environmental certification system. Vincent Bastie, Christophe Bielsa, Nathalie Julio, Olivier Lecocq and the surviving narrative of Leroy Haynes collectively connect architecture, photography, styling, wellness and postwar cultural history within a 33-room property whose character continues to draw directly from the creative lineage of Rue Clauzel.

How to fold Hôtel Les Matins de Paris & Spa Paris 9e into your trip.

Hôtel Les Matins de Paris & Spa Paris 9e works as the anchor for an afternoon tracing the painters, salons and studios that made the slopes between Nouvelle Athènes and Montmartre one of nineteenth-century Paris's great creative territories.

Begin at Musée Gustave Moreau, where the Symbolist painter commissioned architect Albert Lafon during the 1890s to transform his family residence with vast upper-floor studios before bequeathing the house and thousands of works to the French state, creating the museum that opened in 1903 and preserved his artistic environment largely according to his own intentions. Continue to Musée de la Vie Romantique, where Ary Scheffer settled in July 1830 and constructed two north-facing studios in 1831, turning one into the setting for Friday salons attended by Eugène Delacroix, Frédéric Chopin, Franz Liszt, George Sand, Charles Dickens, Gioachino Rossini, Pauline Viardot and other figures of Romantic Europe. Conclude at Musée de Montmartre, established in 1960 within buildings including the seventeenth-century Maison du Bel Air at 12 Rue Cortot, where Auguste Renoir maintained a studio in 1876 while creating works including Bal du moulin de la Galette and La Balançoire, and where Suzanne Valadon later lived with Maurice Utrillo and André Utter from 1912 to 1926. The progression moves from Gustave Moreau's purpose-built Symbolist studios through Ary Scheffer's Romantic salon into the Montmartre rooms inhabited by Renoir, Valadon and Utrillo, revealing the dense network of artists, houses and creative communities surrounding Hôtel Les Matins de Paris & Spa Paris 9e.

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