Tokyo Marriott Hotel

Why you should experience Tokyo Marriott Hotel in Tokyo, Japan.

Tokyo Marriott Hotel is a cosmopolitan garden hotel where Gotenyama's aristocratic memory, Edo-period pleasure culture, contemporary architecture and Shinagawa's international resurgence converge on one of the capital's most storied hillsides.

Set along Gotenyama-dori near Daiichi Keihin and just steps from Gotenyama Garden, the hotel occupies a 25-storey structure completed in July 1990 within Mori Trust's 33,044.71-square-meter Gotenyama Trust City, an ensemble combining hotel, offices, residences, garden and architectural works across the former estate district. Gotenyama itself acquired its name from the Shinagawa Goten established under Tokugawa Iemitsu, whose hilltop estate hosted tea gatherings before the district developed into a celebrated cherry-blossom destination and later attracted wealthy residential estates during the Meiji period. The surviving 6,800-square-meter Gotenyama Garden preserves that lineage through ponds, waterfalls and seasonal plantings alongside Ujian, Arata Isozaki's 1992 tea house whose circular roof, square geometry, titanium panels and stainless-steel nijiriguchi reinterpret the tea tradition through modern architecture. The result is a hotel where Tokugawa Iemitsu, Arata Isozaki and Mori Trust connect four centuries of cultivated retreat with the contemporary international gateway surrounding Shinagawa.

What you should know about Tokyo Marriott Hotel.

Tokyo Marriott Hotel is best known for emerging from Mori Trust's wholesale reinvention of Gotenyama Garden Hotel Laforet Tokyo, a property that had operated for 23 years before closing on June 30, 2013 and undergoing an almost complete reconstruction of its hotel interiors following the February 7 agreement between Mori Trust Group and Marriott International. The rebranding introduced Marriott Hotels to the property on December 3, 2013 under general manager Kenji Fukunaga, with Mori Trust explicitly framing the project around seven concepts, Tailoring, Sophisticate, Reminiscence, Nature, Vibrant, Dramatic and Comfort, synthesized under the design proposition of “sophisticated tailor-made.” The completed hotel established 249 guestrooms and translated the new character into a more than 600-square-meter lobby atrium rising 20 meters, while the approximately 900-square-meter Gotenyama Ballroom carried the estate style into an international conference setting. Mori Trust subsequently used the Tokyo conversion as the opening move in a much broader relationship with Marriott International, expanding the Marriott flag to Karuizawa in 2016 and Fuji, Izu Shuzenji, Lake Biwa and Nanki-Shirahama in 2017, giving the Gotenyama property a consequential place in the globalization of Mori Trust's Japanese hotel portfolio.

Lounge & Dining G introduced another layer of the 2013 reinvention by bringing Marriott Hotels' then-global Greatroom concept to Tokyo, merging restaurant, lounge, bar and retail functions inside the vast atrium around the three organizing ideas of Gourmet, Gatherings and Goodies. Seventeen days after the hotel opened, the space became the setting for Sensory Art Experience, a computer-controlled video installation projected by three large projectors across approximately 25 meters of screening arranged at an angle of roughly 110 degrees, including two 523-inch screens and a third measuring 200 inches. CG creator Kensaku Fukuda, whose career included DH Institute of Media Arts, Hornet Inc., Fuji Television and PUREWORKS, produced the inaugural work, “Fantasy of Winter,” after contributing imagery to the main theater at Orbi Yokohama earlier in 2013. The Greatroom experiment, Fukuda's digital artwork, Mori Trust's seven-part design structure and the subsequent national expansion of the Marriott relationship place Tokyo Marriott Hotel within a specific moment when Japanese hotel owners and international operators were redefining the country's full-service hospitality landscape ahead of another major cycle of inbound growth.

How to fold Tokyo Marriott Hotel into your trip.

Tokyo Marriott Hotel works as the anchor for an afternoon tracing the religious, artistic and mercantile forces that shaped the hills and former Tokaido approaches surrounding Gotenyama.

Begin at Shinagawa Shrine, founded in 1187 when Minamoto no Yoritomo enshrined Amenohirinome-no-Mikoto from Awa Province's Susaki Shrine for protection at sea and fulfillment of prayers, before Nikaido Doun added Uganome-no-Mikoto in 1319 and Ota Dokan enshrined Susanoo-no-Mikoto in 1478, creating a religious genealogy spanning the Kamakura and Muromachi periods. Continue to Hara Museum of Contemporary Art, where Toshio Hara's Foundation Arc-en-Ciel converted a 1938 Modernist residence designed by Jin Watanabe into a pioneering private contemporary-art museum in 1979, eventually placing works by artists including Yasumasa Morimura, Yoshitomo Nara, Tatsuo Miyajima, Lee Ufan and Hiroshi Sugimoto within former bedrooms, bathrooms and the curving courtyard garden before the Shinagawa institution closed in January 2021. Conclude at Sengakuji, founded by Tokugawa Ieyasu in 1612 and rebuilt at its present site after the 1641 Kan'ei Fire, where the burial of Asano Naganori and the forty-seven Akō retainers who avenged him transformed the temple into the physical center of the historical episode later immortalized through Chūshingura. The progression moves from Yoritomo's medieval maritime devotion through Watanabe and Hara's twentieth-century discussion between domestic architecture and contemporary art into Sengakuji's Tokugawa history and the enduring cultural memory of the Akō incident, revealing the unusually deep historical terrain surrounding Tokyo Marriott Hotel beyond Shinagawa's modern transportation infrastructure.

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