Shinjuku Gyoen Cherry Tree Area, Tokyo

Shinjuku Gyoen Cherry Tree Area is a lyrical grove where Sendagaya's horticultural inheritance, astonishing cherry diversity, shifting spring color and spacious garden design turn hanami into an experience that unfolds across weeks.

Set along the Landscape Garden near the Sendagaya side and just steps from the broad central lawn, the Cherry Tree Area rewards slow wandering beneath canopies that change character as different cultivars reach bloom. Shinjuku Gyoen contains around 900 cherry trees representing 70 varieties, allowing early-flowering Kanzakura to begin the sequence before Somei Yoshino dominates late March and later Ichiyo and Kanzan carry color deeper into April. The open lawn gives individual crowns enough distance to be appreciated as trees rather than a continuous wall of blossom, while neighboring Himalayan cedars and tulip trees introduce scale and deep green contrast. The result is a grove where Sendagaya's spring ritual becomes botanical discovery, rewarding repeat walks as successive cultivars continually rewrite the same landscape.

Shinjuku Gyoen Cherry Tree Area is best known for belonging to a cherry-viewing tradition that became inseparable from Shinjuku Gyoen during its years as an imperial garden, when the imperial family transferred its annual Kan'o-kai cherry-blossom gathering here in 1917. The garden itself had been completed in its modern form in 1906 after horticulturist Fukuba Hayato commissioned Henri Martinet, a professor at the Versailles horticultural school, to redesign the former Shinjuku Imperial Botanical Garden, producing the Landscape Garden axis that continues to structure the cherry scenery today. Fukuba brought exceptional horticultural credentials to that project after studying in France and Germany from 1886, developing the Fukuba Strawberry and advancing greenhouse cultivation at an institution whose experimental work stretched back to the Naito Shinjuku Experimental Station established in 1872. The 1917 imperial gathering consequently placed cherry appreciation inside a landscape already shaped by decades of botanical experimentation and French garden design, giving the present flowering collection an institutional history extending well beyond recreational hanami.

World War II almost severed that horticultural continuity when the 1945 air raids destroyed most of Shinjuku Gyoen, sparing principally the Old Imperial Rest House and Kyu-Goryo-Tei before postwar reconstruction recovered much of Martinet's 1906 layout. A December 1947 Cabinet decision subsequently converted Shinjuku Gyoen, Kyoto Gyoen and the Imperial Palace Outer Gardens into national gardens, and Shinjuku Gyoen opened publicly on May 21, 1949 with admission costing 20 yen. Approximately 1.05 million people entered during its first ten months, transforming grounds previously reserved for imperial use into a mass public landscape while preserving the horticultural structure inherited from Fukuba and Martinet. The postwar reconstruction, 1947 national-garden decision and extraordinary first-year attendance explain how an imperial flowering tradition became one of Tokyo's most accessible expressions of spring.

Shinjuku Gyoen Cherry Tree Area works as the opening chapter of a slow garden walk that moves from exuberant spring blossom into inherited Japanese landscape design before ending with the garden's most distinctive surviving expression of imperial-era architecture.

Begin at Tamamo Pond, where the former Naito family garden Tamagawa-en used surplus water from the Tamagawa Aqueduct from 1772, giving the walk a surviving fragment of the daimyo landscape that existed here long before the cherry groves assumed their present form. Continue through the Japanese Traditional Garden, developed from an imperial duck habitat into its present form in 1903, where ponds, bridges, clipped vegetation and strolling paths shift attention from flowering abundance toward carefully composed relationships between water and planting. Conclude at Kyu-Goryo-Tei, built in 1927 with contributions from Japanese residents of Taiwan to commemorate Crown Prince Hirohito's marriage, whose Chinese-influenced architecture survived the 1945 destruction and provides a contemplative architectural finale beside the Japanese garden. The progression moves from seasonal cherry performance through the surviving Naito landscape and imperial garden tradition into Kyu-Goryo-Tei's unusual architectural legacy, revealing how centuries of horticulture remain layered within the spring scenery surrounding Shinjuku Gyoen Cherry Tree Area.

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