Why you should experience The Prince Sakura Tower Tokyo, Autograph Collection in Tokyo, Japan.
The Prince Sakura Tower Tokyo, Autograph Collection is a contemplative garden hotel where Takanawa's gateway history, Japanese landscape design, international hospitality and contemporary creative authorship converge within one of Shinagawa's most layered hotel precincts.
Set along Zakuro-zaka near Daiichi Keihin and just steps from Takanawa Nihon Enoki-dori, the hotel belongs to a 20,000-square-meter Japanese garden designed by Teiji Kusuoka, whose work also extended to the new Imperial Palace, establishing a landscape shared with Grand Prince Hotel Takanawa and Grand Prince Hotel Shin Takanawa. Kusuoka's composition incorporates 210 cherry trees representing 17 varieties alongside historical structures relocated from Nara, including a Kannon-do whose architectural form dates from the late Kamakura to Nanbokucho period and a bell tower built in 1656 at Nenbutsuji Temple. Togo Murano added another architectural generation through Charyo EAN in 1985, while the garden's Kannon-do, bell tower and Sanmon Gate received Minato City tangible cultural property designation in 2021. The result connects Teiji Kusuoka, Togo Murano, Nenbutsuji Temple and Minato City through a landscape where medieval religious architecture, twentieth-century garden making and contemporary hospitality coexist around The Prince Sakura Tower Tokyo.
What you should know about The Prince Sakura Tower Tokyo.
The Prince Sakura Tower Tokyo, Autograph Collection is best known for becoming Japan's first Autograph Collection hotel on September 14, 2013, when Prince Hotels and Marriott International reopened the 288-room property following a comprehensive reinvention directed by Ryu Kosaka of A.N.D., the creative arm of Nomura Co., Ltd. Originally opened in 1998, the hotel entered Marriott's independent collection as only its second property in Asia, with the inauguration bringing Kosaka together with Seibu Holdings president Takashi Goto, Prince Hotels president Masanori Kobayashi and Marriott International Asia president Simon Cooper only days after Tokyo secured the 2020 Olympic Games. Kosaka developed the renovation around harmony between Japanese aesthetics and the surrounding seasonal landscape, carrying the intervention across 12,156 square meters of guestrooms and corridors together with a 476-square-meter lobby, 178-square-meter spiral-staircase zone and 294-square-meter restaurant. A.N.D. designers Masao Nemoto, Reiko Saito, Miwako Abe and Masahiro Hisakane extended Kosaka's direction into a collective design authorship, turning the Marriott agreement into a substantial Japanese interiors commission.
Masahiro Takeishi and Jun Mizutani of ICE Urban Environmental Lighting Research Institute developed the lobby and restaurant lighting, while Tadashi Kawakatsu of Products K handled fiber illumination, allowing Kosaka's spatial structure to pass directly into another layer of named technical authorship. Textile and fashion designer Jotaro Saito then joined t.c.k.w and Art Stock's Tsuyoshi Yamamoto in developing the artwork program, connecting the interior architecture with a practitioner known for carrying kimono design into contemporary fashion and spatial environments. Ryu Kosaka, A.N.D., ICE, Products K and Jotaro Saito form the kind of creative succession that defines the property's 2013 identity: Kosaka establishes the spatial argument, Takeishi and Mizutani articulate it through light, Kawakatsu introduces fiber illumination and Saito extends Japanese visual culture into art. Prince Hotels and Marriott International provided the institutional catalyst, but these named practitioners gave the collaboration its physical expression, making the 2013 reopening a tightly authored convergence of Japanese design and international hotel strategy.
How to fold The Prince Sakura Tower Tokyo into your trip.
The Prince Sakura Tower Tokyo, Autograph Collection works as the anchor for an afternoon tracing how imperial architecture, Buddhist patronage and modern transportation shaped Takanawa's historical role as a southern gateway into Tokyo.
Begin at Kihinkan, completed in 1911 as the residence of Prince Tsunehisa Takeda through architects Tokuma Katayama, Kozaburo Kigo and Yuzuru Watanabe, connecting the precinct with the imperial architect responsible for major Meiji state commissions including Akasaka Palace. Continue to Sengakuji, founded by Tokugawa Ieyasu in 1612 before fire prompted its relocation to Takanawa under Tokugawa Iemitsu, where the graves of Asano Naganori and the AkΕ retainers subsequently made the temple inseparable from the historical episode transformed into the ChΕ«shingura tradition. Conclude at Shinagawa Station, opened in 1872 as Japan prepared its first railway between Shimbashi and Yokohama, placing Takanawa beside the infrastructure that helped convert Tokyo's old southern approach into a national transportation corridor. The progression moves from Katayama and Prince Takeda's imperial-era residence through Ieyasu, Iemitsu and the AkΕ retainers' Buddhist history into Japan's first railway age, revealing the successive systems of power, culture and movement surrounding The Prince Sakura Tower Tokyo, Autograph Collection.
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